"We need to open up the future. We also need to keep everything valuable from the past."

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More quotes from: John Eaton

• "Again, you know, I wanted to keep a non-narrative approach to theater involved as well. "
• "And although I've composed a lot of chamber music and a lot of orchestral music, ..."
• "And I think now, for many composers... the use of microtonality has become a necessity. "
• "Because after all, music, of all the arts, is that that most begins with the ..."
• "But nevertheless, it's music ultimately that matters in opera, and opera is a piece of ..."
• "However, like the ancient Greek dramas, I want both sides of the brain to be ..."
• "However, yes, especially as one gets older, you know, you really hope that your music ..."
• "I haven't been very much involved with any kind of puristic approach, nor have I ..."
• "I mean, the 7th, the flat 7th which approaches the 7th harmonic, very often comes ..."
• "I really write for people. "
• "I supported myself all during my 20's as a jazz musician, or rather, as a ..."
• "I think a lot of composers get into trouble just making up a plot and ..."
• "I think I was first to do live performances on a modern electronic sound synthesizer. "
• "I think one of the greatest enemies in the use of technology, however, is the ..."
• "I think our culture lost a great, great opportunity when it didn't do more with ..."
• "I think the composer and production staff of an opera have a real responsibility to ..."
• "I wait until something is really in the shape that I want to make it ..."
• "I want the audience to be so involved in the sweep of the music. "
• "I want the audience to be so swept up in the human experience of my ..."
• "I'm thinking in terms of a point of departure, a field of action for performers ..."
• "I've just simply used what I've used because of the great, great expressive potential of ..."

• "I've never been very interested in the systematic development of microtonality for the simple reason ..."
• "If you look at the timing of many of the Greek dramas from the theatrical ..."
• "In other words, I think that if an audience listens to something as an experience ..."
• "It's not important to me to found a school; it's not important to me to ..."
• "Myshkin was an outgrowth of an idea I had of contrasting sixth-tones, which give you ..."
• "Nevertheless, one doesn't have time to think, oh, well, this is a quarter tone sharp, ..."
• "Not that one shouldn't use all of those technical advantage, but the essence of what's ..."
• "Of course, in opera, you involve the audience so much with action and with what's ..."
• "On the other hand, I have to say that there is a kind of rhythmic, ..."
• "So, to me, it's a question of not being afraid to embrace the tradition but ..."
• "The way that I got involved with microtonal music was, frankly, through jazz. "
• "There's a whole body of my work that is fundamentally, at the moment, unperformable. "
• "We need it to capture the energy of contemporary life. "
• "We need it to express what we feel. "
• "We need it to express what we hear. "
• "We need to have as broad a range as possible, because life itself has that ..."
• "Well, I can't agree with you more, and I really wish every piece of mine ..."
• "Well, I definitely felt, and still do feel, that the subjects that you use have ..."
• "Well, let me, first of all, say, that as a microtonal composer, I've never been ..."
• "Well, my music is difficult. "

• "Well, opera began with an intent to resuscitate Greek drama, that is, modern opera as ..."
• "Well, the very best operas are the ones written by the very best composers. "
• "What's important for me is to communicate the vision that I have in sound with ..."
• "You know, where you always know beforehand who the villain is and you get involved ..."